Quotes About Flexibility

It's never about the screwup - it's always about the recovery. That's the thing about it... if it comes out a little rare you call it carpaccio. It comes out a little overcooked, you shred it up and put in on a sandwich.

A lot of coaches say to me, 'We're kind of hesitant to recruit you because you're going to BYU.' I tell them, 'I'm keeping my mind open. BYU is a nice place, but I could go anywhere.

Unless you're at a club long enough that can develop a philosophy of playing and recruiting players that fit that way of playing, then you have got to be adaptable.

You want a place where you can say that this is your show that you invested in with other actors, but there's also that flexibility of being a recurring actor.

If I tell you purple look good on you, and you ain't never wore purple, your favorite colors are red and green, and you're like, No man, these my colors. You won't know purple is your color until you try it on.

I'm a wonderful editor. That's what I do best. I know exactly what I want. If I have to decide whether to wear the red dress or the blue dress or what should I have said, I am constantly changing my mind.

You have to constantly redefine who you are.

The hardest weeks for me are when I get to a course that I've never been to before or one that has been through a redesign.

I don't like to reduce a role to fit me. The challenge to me is to expand to it. Sometimes it works, and sometimes it doesn't. But that's the challenge of it.

Executives need ample flexibility to respond to the market. That means both reducing costs and increasing innovation.

Reduction of inflexibility means reduction of injuries. That just means being able to move a lot easier and, you know, not looking like Abe Vigoda when you get out of bed in the morning.

You're not always going to be able to run in and blast someone out. Sometimes it might be different lines and lengths, change-ups or reductions in pace.

I love it when coaches don't talk about which position they see me at. When they just refer to me as a basketball player and talk about all of the different positions they can see me playing in, I definitely listen more.

I change my method and field of reference from book to book because I can never believe in the same thing two times running.

You know, I just tend to do the scene that I'm given, really. If it really needs it, then I'll go to them and ask 'What's she talking about? What's she referring to?' But often they don't know, or they do know and they're not going to tell me, so I've learned just to work with what I'm given.

I have learned how to better handle things as they come.

I've been lucky enough to work with some of the best TV directors there are, and I've learned from how they had to handle when things don't go quite according to plan.

If Lukaku is not as good as others with his first touch, then give him a ball that he can handle.

Acting is a career, and you can't expect everything to work out the way you want. One has to be mature enough to handle that.

When facing bowlers or throw downs, it is not possible to feed the ball in one place at all times; therefore, tennis ball practice comes in handy.

I have a PC because I don't know how to use a Mac. Actors always have Macs with them, and when I try to use someone else's, I can't get the hang of it. It's very strange; I don't like it.

As much as I long for a sort of security and consistency sometimes, I do enjoy sort of being busted around. I really don't know what's happening sometimes next week, let alone this year.

I am happiest when I don't know what's coming next.

In this industry, where things change so quickly, I've found that having no expectations is the happiest way to go.