Quotes About Flexibility

If the team needs to score, I'm going to score. If the team needs me to rebound, I'm going to rebound. Play defense, I play defense.

Instead of me going out and having eight shot attempts with six 3s, let me see if I can have just four 3s and attack the basket and try to get fouls and rebound better.

We didn't readjust our thinking or rebuild quick enough.

I didn't play receiver my whole life. I played running back, and I liked a bunch of running backs coming up, but I never tried to emulate them.

I'm cool with it, running back, receiver, punt returner, it really doesn't make a difference to me.

I am a receiver, I am an athlete, at the end of the day. So, I can play any position that the coaches draw up for me and put me in the best position to make plays.

I have learned to listen and to hone my instincts to be perceptive and be receptive to change, to constantly live in ambiguity.

I loved working with Cena. He was always receptive to my ideas, even if they weren't good.

You got to be receptive to change, and everything changes, including our business.

In a recession, you must be able to call into question everything you've done before.

In a lifetime, the recipe always needs amending - more of this, a little less of that, what to do now that the cake has fallen.

You don't have to follow every recipe to the letter.

What you've got to do is recognize that you don't control everything for a start, you've got to play the cards you're dealt, the hand of cards you're dealt, as best you can, and that's what I always seek to do.

My ambition is to become one of those actresses that is like a chameleon that you don't recognize.

We recognize the need to adapt to a changing competitive environment.

The past is malleable and flexible, changing as our recollection interprets and re-explains what has happened.

Is it not in human nature sometimes, based on the facts that you now know, to reconsider?

Legends are material to be moulded, and not facts to be recorded.

One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.

Formats are constantly changing, and there are really no rules for the way you put your records out anymore.

I keep my ears open. The world can change overnight; that's what happens in this world. You never know. You have to keep your eyes and ears open. If you can't keep up, you ain't gonna catch up. I've been making records since 1953, and you just have to keep up.

Every country I've had different hit records, so we have to change the set to fit the country.

I make records with an open mind, I always have.

I go to clubs and if I notice the DJs are playing the records faster, then I'll push the beats a little on the next record I make. A lot of people don't know how to watch out for things like that.