Quotes About Expression

I just like to do covers, every once in a while. If someone pays me to go into the studio, I'll do it.

There are a lot of characters that you can get into that don't exist in the studio world.

I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days.

If I had a place with a studio where I could paint I'd be happy.

When I go into the studio, I completely detach. I let my emotions come out.

Being on my own in a studio is really, really different than making music with the band. I can't say I necessarily enjoy it more, but it was just a new experience for me.

Honestly, most of the stuff I made for 'TV on the Radio,' I write in the studio.

Ke$ha is her art; there is no curtain you peel back to find the real person. And with Ke$ha, you never know what to expect when you're in the studio.

If the night's right and the people are right, of course I want to be out, I want to be socializing. I don't want to be in my studio 24 hours a day for the whole rest of my life.

Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.

Great songs come out of people's bedrooms; they come out of studios; there's no formula for it.

Music was definitely a way out. Instead of playing basketball, I was going to recording studios.

Electronic musicians are quite like writers or painters. They are quite isolated in their home studios. We often don't have that the opportunity to collaborate with that many people, like in rock or jazz.

I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.

Nowadays, I really like playing in studios.

I lived in an area where there were a lot of rock musicians, and we got together regularly in our studios.

When we do a movie with the studios, they wouldn't be asking us to do it, I don't think, if it was a movie they wanted to get into themselves. What you see is what you get with us, so they let us do what we want to do.

I get the music, I get the beats. And I go to the studios and write the lyrics.

I don't like to deal with studios.

I think the big studios shaped and formed the artists that they put under contract.

I hate the idea of people thinking that I'm just a little girl who goes into studios with pop producers, and they work their magic.

If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.

I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.

We don't program movies. We don't run studios. We make movies.