Quotes About Expression

I'm not one of those rapper guys that spend nights in the studio. I hate being in the studio.

If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.

I'm hyperactive, and I went in the studio and I would just start making records, for no reason.

I realised that the only time I really enjoyed music was when I was in the studio writing. So even though it was a six album deal, they saw quite early on that I wasn't enjoying it as I should be. I didn't feel there was anything behind it.

I still love to go in the studio and write and all that.

I just go in the studio and write on the spot and see what comes out.

You can see how different artists work, from writing to recording, just from being in the studio environment with them.

I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.

The identity of Studio Ghibli movies are how the characters move. They move like live, real people.

When I'm working in the studio, I like to be on my own because I don't know where I'm going; I want to be completely free to spend lots of time on songs.

Emoting songs onscreen comes naturally to me since we do emote in the studio behind the mike as well. But acting in a full-length Bollywood film is a completely different ball game.

My home studio is my private instrument for me only. It's not intended to record anyone but me.

Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter.

Sometimes I hear a drum groove in my head and I rush down to my studio.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

In the studio the director controls the actor's every move, every inflection, every expression.

I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.

I knew that I could be more creative onstage, to state my own case and deliver my own interpretation of the role much more aggressively than in the recording studio.

I have a rough idea when I walk into a studio though.

Just when I think I hate fashion, I hate clothes, I'm seized by this crazy thing that I have to do. I have this little studio now where I just draw. I can be in the room for three days and not even look up.

I have only one loyalty - to my writing. I never wanted to be the head of a studio or a producer.

The thing that's characteristic of my performance is that I literally do drag the whole studio onto the stage.

It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.

I do real paintings, you know. I'm a little messy in the studio, so I'm a bit of a danger. But I just adore it.