Quotes About Evolution

At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible and doesn't make sense, and we just keep working on it.

One of the reasons why there are so many versions of Chekhov is that translations date in a way that the original doesn't; translations seem to be of their time.

It always strikes me how almost unbelievably bad are the early versions of my novels.

Early versions of Microsoft Word left a lot to be desired. However, to the company's credit, it quickly learned where Word fell short, made the necessary changes, and repeatedly introduced new versions of the software.

Imagine if the dinosaurs had tried picturing the rulers of their planet 100 million years hence. They'd undoubtedly envision these creatures as... dinosaurs! Conceiving of aliens as polished versions of ourselves is appealing, but unconvincing.

We're crafting versions of our TotalGuide Solution to work on both legacy devices as well as new and advanced boxes with varying levels of services based on the capabilities of the set-top box and network.

You always try different versions of yourself through songwriting. It can get a bit annoying to see them walk around and do their thing when you feel like, 'I'm not that person any more.'

I love hearing old Bob Marley recordings that he did before he made the versions everybody knows.

The early versions of 'Shell's Wonderful World of Golf' were great. It's sort of interesting: as it progressed, it became worse and worse, but the early versions were really fantastic with Jimmy Demaret and Gene Sarazen. They were classics.

I've always loved that, on all the Dylan and Springsteen and Marley and Neil Young reissues that they've done: It's so cool to hear alternate versions and how the song started in their mind.

Mickey Mouse did not stay the little squeaky guy in 'Steamboat Willie.' He went on to have many different versions.

Don't be afraid of growing up and changing and getting used to these newer versions of yourself and becoming more comfortable sharing those versions of yourself with the people in your life, even people who knew you when you were younger.

It will not be a world of man versus machine. It will be a world of man plus machines.

It is time... to end the long-standing and unproductive methodological debate over 'originalism' versus 'dynamism' or 'evolution' and focus instead on how, as a substantive matter, we should interpret the Constitution in the twenty-first century, and what it has to say on questions unimaginable to our eighteenth-century Framers.

I tend to relate to a character in terms of the arc: what's interesting is where he starts versus where he ends up.

I'm really interested in stories about identity - who I am now versus who I used to be.

How does the past ambush us? How can we be accurate about what happened, how can we be true to it? And can war be declared over? And can we ever evolve from the notion of war, of nations, of us versus them?

Ultimately, it's not going to be about man versus machine. It is going to be about man with machines.

There's a huge shift in the way we connect with people as humans in the technology age versus right before that, when we still had a little bit of mystery.

There has been an ebb and flow in enterprise IT of centralized versus distributed.

Whether it's with a 'Metroid' experience or a 'Donkey Kong' experience, we're constantly looking to push the envelope on the IP versus doing sequential small iterations with a particular franchise.

What I've always really appreciated about MCU superheroes versus elsewhere is that they are trying to disrupt the idea of what a superhero can be.

When I came from horizontal vertical straight all old stuff then suddenly I go also again in curved lines. And there I submit to changes in the intensity of my hand leading a tool, you see.

It seems to me that for Darwin the pulsing of evolutionary rates was a strictly vertical phenomenon.