Quotes About Evolution

Our new programmes have always just been different vehicles for the same sort of comedy.

I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.

When you look at the trajectory of autonomous vehicles, I think you can look at the trajectory of other industries whether it's aviation, I think is a really good one to look at, and you'll see there's always an evolution as the technology gets better and better.

Eventually, when I recorded 'Release Me,' it sort of stamped my style, and I've followed in that vein ever since.

We have an electronic vein we have tapped and applied it to a rock setting like tons of bands out there.

Doing jobs that are completely different to the last thing I did pushes me as an actor to change as much as I can. It would be easy for me to stay in a similar vein of characters or jobs, but I'm drawn to challenging myself.

I thought I'd have a career playing women in the vein of Ruth Gordon, and we've seen that type almost disappear.

There are a lot of writers who find a groove and spend a career mining that vein. I seem to be exactly the opposite.

The only time I think I've ever gotten sick of playing Guns and Roses songs really was during - after having played them in Guns and Roses, and then in Snakepit, and then playing 'It's So Easy' and 'Brownstone' in Velvet Revolver.

'Bombay Velvet' is my first film in a trilogy about Bombay, before it became a metropolis.

When I was very little, I was into Michael Jackson. At six or seven, it was Madonna, but she's not what she used to be. I've been into everything from Edith Piaf to Joe Strummer to the Velvet Underground to Suicide to A Tribe Called Quest to African music.

At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.

Technologies and specific vendors may come and go, but massive cultural transformations and new kinds of relationships? Those don't go away.

Venezuela has changed forever.

The Hollywood business has been experiencing continual change since about 1915, when Charlie Chaplin was in Venice. The current time is no exception... You have to accept there will be constant change in the future.

I'm always going to have the puppets, probably not for the rest of my life, but I'm not going to stop doing ventriloquism anytime soon. I'm just going to add singing, recording songs, and maybe playing in a TV show.

I started with Katie, a doll I got on eBay on my 10th birthday. I don't use her anymore. I've got a new Katie now, a real ventriloquist's puppet.

When the venture industry started, it was enough to just have money and then it was enough to sort of have this big fuzzy brand. But now startups are getting a lot smarter.

I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.

The basic idea of 'The Venture Brothers' was taking the world of 'Jonny Quest' and jumping back into 30 years later, seeing how someone who grew up like Jonny - with that kind of space race enthusiasm and disregard for other cultures - would turn out. Dr. Venture is a boy genius who didn't grow up to be what he should have been.

I'm always ready to venture into new music.

I believe unexplored territories and taking on new ventures is the natural progression all human beings must experience.

I wanted a new phase in my life I needed something new. I stepped back, started doing song writing and various business ventures down the line.

Not all new ventures are at the same stage of maturity.