Quotes About Emotion

Something about theatre perhaps scared me.

The word 'love' scares me.

When I ask 'What's the film that scared you the most?' I'm really asking 'What scares you the most?'

Generally, the songs that are the scariest ones are the ones that people connect to.

The scariest movies, to me, are like Michael Haneke's 'Amour.'

I don't know how to produce work if it's not something that's deeply scaring me or troubling me.

I think music should be scary. Music is an exorcism.

If it's scary, it's supposed to be scary. If it's funny, it's supposed to be funny. That's all I try to do.

If you care about the characters, then whatever scary thing happens to them, you feel it even more.

I was always really into the music rather than the scene.

Long scenes of emotion are quite difficult - you've got to build up to them and make sure you're in the right emotional space.

Sometimes, scenes are great without any music at all.

For me, when I start a novel, I only have a general sense of what I am going to do - usually three or four big scenes or something to which I can really respond emotionally.

Death scenes are hard. Sex scenes are hard.

Love scenes feel very mechanical. But our whole job is to make it look real.

It is a treat to do scenes where you silently enact.

I've joked that I would have either become schizophrenic or an actress, but as an actress you can do both.

I've not used a score in any of my films so far.

If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score.

The score, which comes often quite later in a film, can help reinvigorate your emotional engagement with it.

Music is something you can't really put in terms like in a sport, like running or football - that you win if you score more. In music, there's nothing like that.

To score my first Selecao goal is a unique emotion.

If you listen to a score from beginning to end, you should envision the entire film in your head.

If somebody scores on me, I'm going to be mad.