Quotes About Emotion

It doesn't excite me as a writer to write some swearing or sex scenes, because they don't have any emotional content.

At a personal level, I rather like it if you can create characters and storylines that don't have to rely on being crude and swearing.

So, for the most part, I really like when I read a scene that scares me and makes me sweat a little bit, thinking about doing it. That's usually a good sign to me.

I know I was known as a ladies man and all that, but even the thought of holding my heroine's hand made me break into a sweat.

Trying to act cold is a challenge when your makeup's running and sweat is pouring down your neck.

There's a relationship in the reality with how theater is presented - you can't experience that anywhere else. When you mess up, you mess up obviously, when you sweat, you sweat obviously, when you cry, you cry obviously. There's no hiding in theater.

I sweat on stage a lot.

I like wearing my dad's sweaters because I knew that he wore them when he held me when I was a baby.

I like it when my heart's pounding and I'm sweating and I'm nervous.

What they smell isn't the emotion of fear. What dogs can smell is the changes in a person's skin that suggest fear to the dog, anxiety, the way your skin sweats, the amount of uric acid that suddenly pours out of your pores.

I'm Swedish. Sweden is known for its melancholia.

With 'City of Black & White,' I wanted a record that would make you feel good, that would sort of take you up in its hand and sweep you along.

Revenge is sweet and not fattening.

People don't remember. Revenge is sweet.

Nothing's so dainty sweet as lovely melancholy.

I've had a fan who made a painting of my face with her fingers. I have put it up in my room. It was sweet and very different.

The man that hath no music in himself, Nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils.

Everybody has felt a little sweet but psycho, and I'm sure everybody has been called sweet but psycho.

I'm actually a very romantic person, and I would like to play in a love story. As long as it doesn't get too sweet. That's not me.

Although I may not be sweet, I am full of passion.

On the stage, you enter into a bond with the audience, and you can sense they are moved by what you're doing. It's a sweet return.

I often begin movies with music in my head; it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.

I want to do a romantic comedy. Like a 'When Harry Met Sally' romantic comedy... A really sweet, show-my-vulnerability kind of role.

We just try to write about things that are close to our hearts. We don't sit around trying to write another 'Free Bird' or 'Sweet Home Alabama.'