Quotes About Emotion

It was odd, she thought, how if one was alone, one leant to inanimate things; trees, streams, flowers; felt they expressed one; felt they became one; felt they knew one, in a sense were one; felt an irrational tenderness thus (she looked at that long steady light) as for oneself. There rose, and she looked and looked with her needles suspended, there curled up off the floor of the mind, rose from the lake of one's being, a mist, a bride to meet her lover.

He is precisely the young man to fall headlong in love and repent it for the rest of his life.

And as all Orlando's loves had been women, now, through the culpable laggardry of the human frame to adapt itself to convention, though she herself was a woman, it was still a woman she loved; and if the consciousness of being of the same sex had any effect at all, it was to quicken and deepen those feelings which she had had as a man.

The sweetness of this content overflowing runs down the walls of my mind, and liberates understanding.

Long ago I realized that no other person would be to me what you are.

There was in Lily a thread of something; a flare of something; something of her own Mrs. Ramsay liked very much indeed, but no man would, she feared. [...] He was not in love of course; it was one of those unclassified affections of which there are so many.

That people should love like this, that Mr. Bankes should feel this for Mrs. Ramsay (she glanced at him musing) was helpful, was exalting.

You come and see me among flowers and pictures, and think me mysterious, romantic, and all the rest of it. Being yourself very inexperienced and very emotional, you go home and invent a story about me, and now you can't separate me from the person you've imagined me to be. You call that, I suppose, being in love; as a matter of fact it's being in delusion.

Then beneath the colour [of the paint] was the shape. She could see it all so clearly, so commandingly, when she looked: it was when she took her brush in hand that the whole thing changed. It was in that moment's flight between the picture and her canvas that the demons set on her who often brought her to the verge of tears and made this passage from conception to work as dreadful as any down a dark passage for a child.

She had a right to his arm, though it was without feeling. He would give her, who was so simple, so impulsive, only twenty-four, without friends in England, who had left Italy for his sake, a piece of bone.

One must own that there are certain books which can be read without the mind and without the heart, but still with considerable enjoyment.

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly's wing lying upon the arches of a cathedral.

Music goes straight for things. It says all there is to say at once. With writing it seems to me there's so much... scratching on the matchbox

I see it all. I feel it all. I am inspired. My eyes fill with tears. Yet even as I feel this. I lash my frenzy higher and higher. It foams. It becomes artificial, insincere. Words and words and words, how they gallop - how they lash their long manes and tails, but for some fault in me I cannot fly with them, scattering women and string bags. There is some flaw in me - some fatal hesitancy, which, if I pass it over, turns to foam and falsity

It's too short,' she said, 'ever so much too short.' Never did anybody look so sad. Bitter and black, half-way down, in the darkness, in the shaft which ran from the sunlight to the depths, perhaps a tear formed; a tear fell; the waters swayed this way and that, received it, and were at rest. Never did anybody look so sad.

it being her experience that the religious ecstasy made people callous (so did causes); dulled their feelings

I am rocked from side to side by the violence of my emotion.

Milly Brush once might almost have fallen in love with these silences.

When the guns fired in August 1914, did the faces of men and women show so plain in each other's eyes that romance was killed?

Her eyes seemed to question, to commiserate, to be, for a second, love itself.

I will come,' said Peter, but he sat on for a moment. What is this terror? what is this ecstasy? he thought to himself. What is it that fills me with extraordinary excitement? It is Clarissa, he said. For there she was.

You look, eat, smile, are bored, pleased, annoyed - that is all I know. Yet this shadow which has sat by me for an hour or two, this mask from which peep two eyes, has power to drive me back, to pinion me down among all those other faces, to shut me in a hot room; to send me dashing like a moth from candle to candle.

Thank God, Helen, I'm not like you! I sometimes think you don't think or feel or care to do anything but exist! You're like Mr. Hirst. You see that things are bad, and you pride yourself on saying so. It's what you call being honest; as a matter of fact it's being lazy, being dull, being nothing. You don't help; you put an end to things.

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