Quotes About Emotion

I start to cry. Tears begin running down my face and quiet sobs escape me. I don't know what I'm doing and I don't know how I'm here and I don't know how things ever got this bad. I try to find answers but they aren't there. I'm too fucked up to have answers. I'm too fucked up for anything

Words can't say this. The one word 'love' means too little for what it is. It means everything and that is still not enough. It doesn't communicate even the fraction of the feeling involved. Love. The word is not enough for what it is.love.Love.

She leans forward and she kisses me. Though it is the same as before, it isn't the same at all. It is more, stronger, weaker, deeper, quieter, louder. It is more, vulnerable, impenetrable, fragile, secure, unprotected, completely protected. It is more, open, deeper, full, simpler, true. It is more. True. She pulls away her lips pull away. Without words we walk hand in hand through the thick Wood.

Our heart is an organ that pumps our blood through our body, but our heart is also an organ that fills that blood with whatever we are feeling and the blood, the blood, the blood moves through every part of us, every fiber of us, every cell.

He's gone, but my memory isn't and it won't be for a long time. It has always been a fault of mine. I hold my memory.

Part of me still loves. More of me doesn't.

All good art, to me, is uncertainty.

We see that hyperactivity and reward areas are important when the bubble's rising. People getting caught up in it. We also see areas involving mentalizing, which means thinking about other people: Who's buying? Who's selling? Do they know something? We see emotional areas before the crash that indicate a sense of uncertainty or dread.

Most of what one feels compelled to write stems from a deep emotional uncertainty.

Uncertainty helps keep actors on edge.

My uncle gave me a trumpet, but I loved the Louis Armstrong sound and the Harry James sound and I played by ear and I played always soulful or very direct from the gut.

We all remember where we were and we all remember what we were doing. I had a brother in New York, an uncle, lots of friends in New York. It made me angry, it made me sad; what could I do.

There was a guitar that my uncle owned and never learnt to play. He sold it to my dad, and when I heard 'Layla', that was the tune that really grabbed me. I said to my dad, 'Wait, there's a guitar, right?'

Some of my favourite characters have been people like Masha in 'Three Sisters' and Elena in 'Uncle Vanya.'

The only thing that mattered to me with 'Xen' was setting things up against each other in an uncomfortable way. If there's a really soft piece of music, and then you're hit by a painful explosive sound, your brain does this funny somersault trying to make sense of why this happened. And at that very moment, your brain is malleable.

I'm very uncomfortable, mainly with my belly.

If you asked me to seriously kiss someone on a screen, I would be very uncomfortable. But I will lick any part of your face.

Wear things that make you happy because, I think, that really shines through. If you feel uncomfortable in something, then I don't think it ever really works.

I've never been uncomfortable putting my heart on display, my feelings on display, certainly with an audience.

I don't desire happiness. I think it's a myth, and I don't think it's... and it makes you complacent. I feel very satisfyingly uncomfortable. I have the freedom to feel uncomfortable in the way I want to, is maybe a way to put it.

I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.

Most people respond to my paintings quite generously, but there have been cases where I think people - a few critics in particular - were actually moved by the work but were disturbed by the feelings it evoked, so they attacked it. Some people find the realm of my work quite uncomfortable.

I was pregnant with my first child during 'Stop/Kiss,' and for whatever reason, the fact that I was so physically uncomfortable allowed me to be freer in the role.

Singing in public makes me very uncomfortable.