Quotes About Emotion

Each of the CDs prior to 'Flirting With Twilight' were more like roller-coaster rides.

I love 'Fifty Shades' and 'Twilight' both.

I remember watching the Twin Towers collapse. Because it was another country and looked like a film, I just sort of thought, 'Oh.' I didn't think that much. Then three days later, it hit me. I was in a terrible state, and I was tearful for three or four days.

I love Aphex Twin's 'Rhubarb.'

There's a quality to the sound of a trumpet that you can really twist for any kind of sound and mood that you want to create.

Even in a comedy, you have to make people feel. You have to put your hand inside their soul and twist out their heart.

I can write a happy song, but there has to be some sort of twist. Otherwise it feels a bit cheesy.

All the dramas I admire most - 'Six Feet Under,' 'The Sopranos' - even when the scenes aren't laugh-out-loud funny, per se, there's a comic twist that gives the stories an energy.

In the middle of a play, I go crazy and don't realize what I'm doing. I'll snap back to reality and I realize, 'Hey, I just ripped that boy's helmet off,' or, 'I'm over here twisting this guy's knee.

The blues is a mighty long road. Or it could be a river, one that twists and turns and flows into a sea of limitless musical potential.

I know a lot of actors who have said to me, 'who'd have thought you could put a two-shot on screen for twenty minutes and people would be absolutely locked in, how does that work?' Well it does work, when the story is great and you've got these fabulous twists and turns - so those are my favorite bits!

I like giving people something they don't want to miss the next time. It's a show with little twists and turns and curves. It has me being silly and stupid and compassionate and completely deep.

I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.

I couldn't talk to people face to face, so I got on stage and started screaming and squealing and twitching.

I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.

Storytelling is about two things; it's about character and plot.

I have always believed that chemistry can't be created between two people. You either have it or you don't. The script can only enhance it.

Kissing - and I mean like, yummy, smacking kissing - is the most delicious, most beautiful and passionate thing that two people can do, bar none. Better than sex, hands down.

I've always been able to sense the relationship between two people based on how one person says the other's name!

If there's an energy between two people it doesn't matter what you look like or what you do for a living or where you live.

You have to have chemistry - it's acting. I need to make people believe the rumba is about two people in love, and the tango is about passion.

Even if it's a thriller or a comedy, it's always a love story for me, and that's what I concentrate on, because the love stories are my surrogates for the argument: two people in conflict that see life differently.

Something happens when two people look at each other, and they have a cellular connection. It's like when their hearts connect as well as their souls.

I love a cinema with two people in it. Love it! Absolutely love it!