Quotes About Emotion

Je n'ai pas des angoisses, je suis dans une angoisse perpétuelle.

Un paysage n'est pas seulement un état d'âme, c'est l'âme elle-même, si l'on veut entendre par là que mille liens m'attachent toujours à tout ce que je vois, et que sans cesse j'ai, devant des vues nouvelles, le sourd et ardent sentiment que je les connais, que je les connaissais de tout temps.

I like to feel that all my best photographs had strong personal visions and that a photograph that doesn't have a personal vision or doesn't communicate emotion fails.

I would like to visit a dog's mind to know what he's thinking and feeling.

Listening to a FNM record is like a visit from a mysterious relative who knows more about your family than you did.

Every time I visit Brisbane, I think, 'This is my childhood.'

When my wife Gauri visited the 'Bigg Boss' house, I can't tell you how overjoyed I was to see her. The level of isolation in that house hit me hard when I saw her there.

When Sondheim was visiting the Library of Congress, where the manuscript of 'Porgy and Bess' is housed, he was so overcome with emotion while holding the score in his hands that he shed a tear. He shed several tears, but one of the tears actually fell onto the original manuscript. And he was horrified.

Fanny and Alexander' blew me away. I was visiting my sister in her first year at university. It was my first foray into something dark.

The first time I met my father was when I was 25. I was visiting here in Los Angeles, I had not moved here yet. And he came down to meet me. It wasn't emotional, it was like meeting a stranger.

Architecture is about experience: not only visual but also what you can touch, what you can feel.

I think every film is made better by having smart music supervision that's really in tune with the spirit of the visual content.

You have to approach something with indifference, as if you had no aesthetic emotion. The choice of readymades is always based on visual indifference and, at the same time, on the total absence of good or bad taste.

'Piku' was driven by subtleties. Most films come with the padding of the sound, the visual, the drama.

I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me!

I think of myself as a translator. I just change the dry, unfeeling language of data into a visual language that allows for feeling.

Language, I think, has nothing to do with film-making. It is how you make your point and whether you exploit the visual medium maintaining a certain standard that does the trick.

Painting, music, photography, and visual art have been creative forms of expression for me for decades.

In a film we have limited time and space to say what we have to, hence the visual language and brevity needs to be paramount. In a novel, however, we can dissect each thought and emotion and build on it.

Smells are so powerful and evocative, sometimes stronger than visual cues.

Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.

Today, music is visual.

There's definitely a visual aspect and an emotional aspect to a song. And that harks back, for me, to theater.

You can sustain visual beauty and innovative visual ideas for a certain length of time, but in a two-hour experience, which is really what movies are, usually audiences - whether they know it or not - most want an emotional connection to character.