Quotes About Emotion

It was so incredible meeting Lady Gaga. I mean I'm gaga for Gaga, literally. We kind of just each flew to each other like magnets after the ceremony ended and we were both just crying and hugging.

The moment our daughter was lifted up and we laid eyes on her was incredible.

For me, emotion comes first. If I have to change a scene, invent a scene, change dialogue, or put Graff by the lake in order to feel that dynamic, and the end results feels like 'Ender's Game,' then hopefully it works.

The definition of a musical is that the emotion is so strong that you can't talk anymore, you have to sing. The emotion isn't strong enough when you're just like, 'Let's take a second to sing about lamps!'

Looking back, all I can say is that the meeting with Bush was one of the most disgusting experiences in my life.

I liked 'The Darjeeling Limited' very much. There was a melancholy about that film that I liked.

That's one thing about fashion that you really shouldn't be-you can't be melancholy in fashion because people don't respond to it.

Melancholy is no bad thing.

My songs have a layer of melancholy.

When I'm making the music, the songs that I get most excited about definitely make me feel good, but often, it's a really good feeling combined with some kind of melancholy element.

Few writers push the reader away with the coolness, dignity, and faint melancholy of Fleur Jaeggy.

Hip-hop, pop, dance - the common point is melancholy. That's international, and I like this word because it's not only about sadness or happiness - it's both at the same time. And that's human, and that's life.

I love blues, mellow rock 'n' roll.

I grew up with so many different sounds, and 'Lost' allows me to express all of it, the melodic and the atonal.

Chop Suey!' was really heavy, but it had a lot of melodic parts. It was fast and frenzy.

I come from a jazzy, acoustic, folky background. Everything has to work with melodies; the words have to have meaning.

I was three or four, and my mother would have a Bing Crosby record playing through the house. It was my introduction to jazz, harmonies, melodies, musicianship, and emotion.

I think I have a sound or a certain feel in certain harmonies in the way I construct melodies.

I love amazing lyrics paired with amazing melodies.

I usually like listening to music that only have melodies and no lyrics.

If I were to do a drama again, I would really like to work on a fatal melodrama, like a love that can't be.

With 'Carol,' I was just really looking at and thinking about the love story as a genre, not the domestic melodrama.

As long as I can say what it is that I need to say, then I'll fit whatever I'm trying to say around a melody.

What makes a great song - you don't put it into words. You feel it. The perfect lyric. The perfect melody. It makes you feel something.