Quotes About Flexibility

I follow my own advice: eat less, move more, eat lots of fruits, vegetables, and grains, and don't eat too much junk food. It leaves plenty of flexibility for eating an occasional junk food.

I eat meat, dairy, and tons of fruits and vegetables, but I could also have pasta for breakfast, lunch, and dinner. Basically, I'm a massive foodie who eats everything in moderation.

I'm having everything. I'm a vegetarian, too. But in my mother's house, I eat whatever I'm served.

I like trying different foods. I've done vegetarian stuff, and I've gone through meat phases, and then I do no bread, and then I eat bread. I'm really all over the place in the way a lot of actors are.

I don't think it exists anymore where you have to be a vegetarian or meat-eater. There's this beautiful gray area that we're all living in now; it just takes some exposure to the different ways to do it.

I was a vegetarian who would eat fish.

If you want to eat more vegetarian food, you don't have to become a vegetarian. It doesn't have to be an identity overhaul.

I don't really seek out vegetarian spots... but mainly, I know how to work a menu no matter where I am.

I am an on-and-off vegetarian. Sometimes on, mostly off. I think it is better to be a vegetarian but occasionally, the call of the hot dog overpowers my ethics.

You can be vegetarian and eat fish. It's your choice, just say: 'I am what I am.' There are no hardcore divisions anymore.

I'll work with anyone - and I really do mean that - Democrat, Republican, independent, Libertarian, contrarian, vegetarian.

I always said that you can use the same vehicle although the driver will change, or the same vehicle to go for the race. It's a different driver, this is exactly what's happening to the cabinet.

We seem to want one vehicle to carry people and soccer balls and hay bales.

Doing jobs that are completely different to the last thing I did pushes me as an actor to change as much as I can. It would be easy for me to stay in a similar vein of characters or jobs, but I'm drawn to challenging myself.

There are a lot of writers who find a groove and spend a career mining that vein. I seem to be exactly the opposite.

I'm interested in seeking projects no matter where, no matter if it is in the United States, whether in Chile, whether in Venezuela.

The Hollywood business has been experiencing continual change since about 1915, when Charlie Chaplin was in Venice. The current time is no exception... You have to accept there will be constant change in the future.

If you stay by the book, it's not always going to work. You've got to venture off a little bit. But you can't get too reckless, either.

I could've always worked shows, clubs, Las Vegas and Atlantic City, but I was successful in business ventures, and things weren't happening in show business, so I said, 'Let me see what I can do.'

No matter where I go, I never write the setlist until I'm at the venue.

Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.

Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.

I headline concert halls for 20,000 people, but I still play smaller venues.

I feel like I'm never playing the same sized venues within two or three shows. It keeps me and the band fit in a way. It keeps us on our toes just because you don't get used to one size and one energy. It's good to switch it up.