Quotes About Flexibility

I'm a very open-minded person.

My mom is very open-minded and has made Dad open-minded too.

Rather than knowing more, I think I've got more open-minded.

It is increasingly important to be open-minded.

In a series, you really need to stay open-minded. It's not like a play or a film, where you can create and fully commit to your character's back-story.

I'm someone who is open-minded to new experiences because they teach you new things.

My parents are pretty open-minded.

I'm very open-minded.

Some people forget that when you are collaborating, you aren't always right. So you have to be open-minded and have to remember there are two minds creating. So you have to respect the other person.

One thing I've learned is that you have to be open-minded.

I'm massively open-minded to pretty much anything.

I have been successful as an opener, but who knows, maybe I would have been more successful in the middle order.

I just want to represent England whether it is in the middle, at the top or wherever. If it means opener then great but I'm not too fussed about it. I just want to be in the side.

When I got out of college, I moved to Seattle because it was the nearest big city and still didn't know if I wanted to be a composer, conductor, singer, actor. I just got day jobs and auditioned and took what came, and the theater doors were the ones opening the most.

My way of playing has changed, the way I view points and look for different openings, certain opportunities.

Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'

True strength lies in openness and working in concert with people and events.

I can't open doors that aren't open. But if a door opens, I would be happy to walk through.

Ballet costumes are easier that opera because they are designed for movement.

If you approach an opera as though it were something that always went a certain way, that's what you get. I approach an opera as though I didn't know it.

When we work on a new theatre piece, we improvise a lot. But it's the opposite in opera, where everything is fixed.

I can operate in half-a-song format.

Inconsistencies of opinion, arising from changes of circumstances, are often justifiable.

Try to open up your mind a little, and move away from rigid opinions of what people should do and be - unless you have been there.