Quotes About Flexibility

The hardest thing is that I never do anything the same way twice, and when I'm on the air, I'm very unscripted, and I'm very comfortable in that role. So me being scripted is not a comfortable place for me.

Businesses that fail to develop their staff are twice as likely to collapse. Firms seeking to reposition themselves for the economic upturn need to invest in their staff's flexibility, responsiveness and skills.

I don't do the same show twice. I've never done a show word for word.

We never do the same set twice.

We never do the same set twice... We play for at least two and a half hours, sometimes longer, so there's a lot of songs from all the records. And we know there's a stable we as fans would want to hear, so we always give them, then we change up a bunch of songs and throw in a couple new ones.

I started to realise I am not as strong as others, and I can't muscle someone off the ball who is twice the size of me. So I have altered my game, playing on the half-turn, for example, and it's made me a much better player.

Bella [Hadid] is also very naturally gifted in beauty so she can also go whenever she wants to go to the gym.

I can tell jokes. I can talk to the audience. I can relax. I can change my songs whenever I want. I can change the tempos. I can change the mood, because I'm in charge.

We're covering all our bases so we can do whatever we want next time. That's how we're looking at it, rather than this just being an endless number of album/tour cycles.

I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.

That's what I love about acting. There's never a set role. You can be a firefighter, you can be a baseball player, you can be whatever you want in the acting world. I think I've found my calling.

There is no longer one way to consume TV. Some shows you want to watch live, some shows you only discover through streaming, some shows you just feel you need to DVR.

I'll do whatever I can do to remain employed. I'm just not precious about doing comedy or doing drama. I never want to do something in order to prove to other people what I can do.

I'm not always open to creative input when I have my heart set on a creative idea or a message I want to convey.

I don't have any kind of ideology that precludes me from moving in one direction or another. I just want creative autonomy and I want at least an opportunity that it's going to be seen.

I don't like to stick to one formula. That gets boring. I get bored, so I want to try different ways of getting inside something.

The barrier between TV and movies has come down and film actors are willing to do TV and vice versa, because they just want to follow what's interesting.

The greatest joy is my lifestyle, where me and my husband and our kids who go to internet school so they have the freedom to travel with me are able to do what we want, when we want, where we want.

Also, if you're in a TV show that does turn out to be very successful, you then can do whatever you want to do in theater for a very long time.

I think people should consume their music any way they want. If it's more practical for them to listen to it on an iPod or something, that's fine by me.

All of a sudden, people are going to decide they want to go micro, everything's smaller.

I feel like as you get older, the roles you get change, and you don't always want to do the same tone over and over again.

The easiest way for me to lose interests is to know too much of what I want to say before I begin.

I'm not interested in one label or the other - I'm only interested in solving certain problems, in getting where I want to go.