Quotes About Flexibility

I bring ideas to set, and I'm more than willing for those to be affected and be malleable based on what the other person gives me. I don't know what another actor is going to give me, on the day, and I don't want to be so hard and fast in my technique that I'm not open to what's coming.

I don't think you necessarily have to be crazy-fit for freeskiing. So much of the sport has to do with agility and nimbleness and flexibility and other things. It's a lot of muscle memory - it's more like dance, in a way - it's technique more than strength or endurance.

I know my technique suits all sorts of wickets, so I just back myself.

I think every partner in every situation is completely different and I think you have to adjust your teaching technique, your choreography and how you're going to approach the season in general.

Good psychology should include all the methodological techniques, without having loyalty to one method, one idea, or one person.

I wanted to make sure to always stay current, try to find new material and stay with the modern techniques.

Digging sand is a bit like digging water. You take your trowel out and it all fills back up again, so there are a whole lot of different techniques that are required.

I've added more techniques to my game, going in and going out.

Technology has to be invented or adopted.

The only constant in the technology industry is change.

Technology makes things faster and more cost-effective, but it's not perfect. It requires you to be as flexible as you can be.

I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.

We're a very iterative company, so we jump on basically all new technology.

All of technology, really, is about maximizing free options.

Technology has made it easier for different firms to coordinate their activities with one another, and they don't have to be part of one company. They can get the benefits of scale without the inertia of scale.

All that Rent the Runway has really done is we've opened up the technology and logistics to make it possible to have the customer decide how long she needs an article of clothing for.

I think there's actually a benefit to working with teen actors: they've got such boundless energy, and everybody is willing to try different things.

I don't have a daily routine, beyond brushing my teeth. It changes every day.

The ability of a television series to make adjustments is something you've got to take advantage of.

I don't storyboard. I guess it dates back to my days in live television, where there was no possibility of storyboarding and everything was shot right on the spot - on the air, as we say - at the moment we were transmitting. I prefer to be open to what the actors do, how they interact to the given situation.

In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.

Most television shows are going to require an actor sign up from four to six years, but an anthology show really amounts to five or six months at the most. I thought serious actors might be attracted to that.

I don't know if I'm going to be a manager forever. I don't know if I'm going to be producing films or television shows.

I'm more interested in seeing what the material tells me than in imposing my will on it.