Quotes About Flexibility

I feel like every guy has a job to do on the defensive end, and that job can change night to night. My biggest thing is, I try to do my job, and compete.

I don't really mind where I play, as long as I'm playing. I'm just happy to be on the pitch - as long as it's not defensive.

In animation, you can often defer decisions or make changes later.

I'm not a man who likes to define his identity too narrowly.

I'm very open to being defined.

I think expectations are sometimes dangerous things. I think the only thing you can be sure of is that it won't go to plan. I think that's the only thing that's definite.

When I'm told absolutely no, it's a definite maybe.

My only definition is that I am a pragmatist.

As a pop artist by definition, you have to learn to adapt.

In the past, I always set definitive goals for myself, but I've stopped doing that.

I don't want to be definitive or the last word on anything.

You should be able to deliver what the artist you're working with wants.

I don't have a style. I just try to write what the story demands.

If I don't get along with Democrats, I'm sort of, like, out of business.

There's nothing wrong with working with no artist from any type of demographic, but you've still got to maintain what you do on whatever track it is.

I can perform in any situation across all departments of the game.

But I've had to act and not depend on my voice so much.

It's funny. I change depending on what I'm around, and who I'm around. I've always been like that.

I feel very comfortable with the system used by Mourinho. It's a very dynamic 4-2-3-1 that can easily change to 4-3-3 or 4-1-4-1 depending on the moment or the team's needs. He really knows what he wants.

We shift in our everyday life; we evolve, depending on the circumstances.

I don't rule out 3-4-3 or other formations depending on the game.

A system depends on the players you have.

You can play Dybala and Ronaldo; it just depends on the situations.

When something changes in Episode 7, you have to then begin moving things around, shuffling things backwards. Once you start moving material into it, that can derail your whole arc.