Quotes About Comfort

Wealth is well known to be a great comforter.

I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.

A wealthy landowner cannot cultivate and improve his farm without spreading comfort and well-being around him. Rich and abundant crops, a numerous population and a prosperous countryside are the rewards for his efforts.

Some of my best moments have been in friends' libraries. They give you a sense of quiet, well-being and order that a media room does not.

Home is the center of life. It's the wellspring of personhood. It's where we say we're ourselves.

I just go broad Welsh when I'm nervous.

In too much of the West, everyone wants the guarantee of safety, and never having to make any decisions.

I feel very at home in L.A., I think, because it's dry, and there's sun, like the West Texas I grew up in.

I've worked in the Inuit hamlets of the west coast of Hudson Bay since 1994. Over that time I've been very moved by both the pace of social change there - the loss of traditional ways of seeing the world, the affinity for and comfort with the land - and by the social disarray that change of this pace produces.

I'm getting comfortable with West Coast style, which is more laid-back than British style.

It's different, but I prefer my people on the East Coast. Some people might be offended by that, but I mean, especially knowing I'm from the West Coast. I don't know if it's because it's home for me or what, but I just feel like people are real good friends. That's all it is.

I think our Western society is very much about, 'Tuck your head in; make sure you're safe. Don't rock the boat.'

I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.

Design is a constant challenge to balance comfort with luxe, the practical with the desirable.

I'm probably quite practical when I'm on stage. I start off with a leather jacket, and then get too hot and take it off. I don't think too much about it.

The answer is that I do want to climb Everest, but I don't want to go to Everest. I don't want to be cold. I can't take the time. It's just not practical.

I do care a lot about what I wear, but in a way that is about comfort and practicality, and I always want to look like me.

I get comfortable out at practice.

Having my own gym is easier because I have my family here, my kids enjoy watching my practices and I like having them around. It's hard to go to other people's gyms because not everyone if as kid-friendly as I am.

The confidence and the comfort level just comes with playing a lot and practicing. Obviously, the more you practice, the more you play, the more comfortable you get.

You have a natural groove inside of you, but the more you practise, the more comfortable you will be with your instrument.

You get to a certain point where you feel comfortable. You've got everybody praising you for what you do where you come from, sometimes you let down your guard.

At times I have long conversations with God. Sometimes I ask questions. I admit that there are also times when I let out my frustrations, fears, and anxieties in less than honorable ways. No matter what I pray about or how I pray about it, the result I always get is comfort.

My grandmother lived on Elizabeth Street in Little Italy, and she used to go to church every day. She'd go in, light a candle, she'd pray, and as a child, that was comforting to me.