Quotes About Development

IE6 was a bad experience for consumers, but it was a terrible for developers. Not only it was technically bad, but it was closed, and you couldn't do much with it.

I've grown tactically and technically.

In the past, you might have said, 'This player is technically not good - let's prey on her.' But now, the game is professional in most countries - you can't just play on that.

I like to take a little bit from every midfielder I have played against, whether it's physically, technically, tactically, just to try to improve my game.

Without there being some national strategy, it is difficult for educators to know what kinds of engineers or technicians to produce and for potential students to know what professions to study for.

Over the years, I've learnt from co-actors, directors, technicians, and even from junior artists.

Each kid has a different level of expertise and some of them are very raw and inexperienced and some are incredibly mature and experienced. So you just have to go with what they are rather than have some abstract technique that you're going to try to apply to them.

Leadership is hard. It's a skill. It's a technique.

Oil-painting is a developed technique. Why go backwards?

As a young performer, what you need to be doing is building your technique and musicality, not promoting your abilities - unless you're ready to take on all that will result from such an approach.

You can teach students how to work; you can teach them technique - how to use reason; you can even give them a sense of proportions - of order. You can teach them general principles.

Fortunately, I got to play some India 'A' games, and some games where the pressure was a little less, so that I can focus on my skill and my technique.

There can be no 'graduated exercises in drawing' leading up to an artistic creation. That goal can be attained only through the development of mechanical technique and through the freedom of the spirit.

The kind of freshness that newcomers have is something that you can learn from. As you grow, a certain staleness creeps in your technique. But when you see someone with no experience at all doing a scene, you can learn from that.

You have no choice as a professional chef: you have to repeat, repeat, repeat, repeat until it becomes part of yourself. I certainly don't cook the same way I did 40 years ago, but the technique remains. And that's what the student needs to learn: the technique.

There was a stage when Balanchine and I didn't talk. I was trying to develop my classical technique as opposed to the fast-track technique that he was pushing. We were very quiet with each other. But after two years he saw what I was doing and sent messages through other people that, yes, this is good.

Oh yes, technique has definitely advanced. But you never advance without losing something en passant, and you lose it because you're paying so much attention to the new thing.

Contrary to the norm, as my technique improved my voice became higher.

Good acting is good acting, however you learn it. Some people who haven't studied are amazing. Some people like Leonardo DiCaprio are naturally gifted - he's learned technique by working with people early on.

I've worked with some teachers and coaches over the years, but I didn't really study theater or technique or voice or any of that stuff extensively.

You establish a technique on how to develop characters. Everyone does it their own way, and that's what makes it fun.

You learn by playing a great team, and I'm talking about character things, not hockey technique.

I just keep my eyes open and focus on the things I'm not good at and what makes other people better than me - technique and things outside the Octagon.

The great thing with Usain Bolt is he fell into great coaching, so his talent was exceptional from Day 1. You can coach technique and structure, but not talent.