Quotes About Expression

I don't really care where movies come from as long as they're worth making.

I was raised not to be afraid to show emotion or imagination.

ayr?ca gerçek bir yazar asla yazarl??? b?rakmaz,yazmasa da b?rakmaz.

existe en todas las lenguas que yo conozco, las lenguas no suelen equivocarse juntas.

Decidió aguardar, sabedor de que la gente siempre habla al final, no puede soportar estarse callada indefinidamente y no contarse y no contar, no pavonearse un poco o no intrigar, no provocar compasión, horror o admiración, no inspirar lástima o temor, venideros o retrospectivos. Sí, la gente habla de más y sin querer, incluso cuando ha resuelto no hablar.

As pessoas relatam sem cessar e narram sem sequer se darem conta do que estão a fazer, dos incontroláveis mecanismos de insídia, equívoco e caos que põem em movimento e que se podem tornar funestos, falam sem parar dos outros e de si mesmas, e também dos outros ao falarem de si mesmas e também

Cuántas cosas se van no diciendo a lo largo de una vida o historia o relato, a veces sin querer o sin proponérselo.

se tarda más en hablar que en echar un prefijado polvo, sea de nuevo mal dicho y para mejor entendernos.

Porque las palabras del año pasado pertenecen al lenguaje del año pasado y las palabras del año que viene esperan una voz distinta'.

expresado se instala en el aire y es difícil hacerlo retroceder.

A song that is sung despite everything, but that is neither silenced nor diluted once it's sung, when it's followed by the silence of adult, or perhaps I should say masculine life.

Talking successfully about feelings requires you to be scrupulous about taking the judgments, attributions, and statements of blame out of what you are saying, and putting the statement of feeling in. It is crucial to look at the actual words you are using to see whether those words really convey what you want them to. For

Saying "I'd like you to pay more attention to me" is more likely to produce a conversation (and a satisfying outcome) than "Is it impossible for you to focus on me just once?

Say What You Mean: Don't Make Them Guess

Too often we confuse being emotional with expressing emotions clearly.

You can preface their expression with an admission that you are uncomfortable with these feelings, or that you aren't sure they make sense, but follow that preface by expressing them. Your purpose here is simply to get them out. You can decide what, if anything, to do about them later.

It is a fundamental rule: feelings crave acknowledgment

I definitely get the sense that you don't like discussing your schedule, at least not the way I bring it up. The problem for me is that I feel worried and I would like to share why in a way that's helpful. I don't seem to know how to do that, and I was wondering if you had any advice.

Expressing Your Views and Feelings Your goal should be to express your views and feelings to your own satisfaction. You hope that the other person will understand what you are saying, and perhaps be moved by it, but you can't count on that. What you can do is say, as well as you can, what is important for you to say about your views, intentions, contributions, feelings, and identity issues. You can share your story.

Closing the door, Claudine looked at him. She looked at him, and while he waited for some expression to come to her face he knew how a doctor must feel sometimes when he looks at a belly. For her face was no more than a cover of skin, showing nothing of the terrible, complicated things, ugly and beautiful, that were going on inside her.

Today you are You, that is truer than true. There is no one alive who is Youer than You.

Photographers tend not to photograph what they can't see, which is the very reason one should try to attempt it. Otherwise we're going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?

A photograph of a woman crying tells me nothing about grief. Or a photograph of a woman ecstatic tells me nothing about ecstasy. What is the nature of these emotions? The problem with photography is that it only deals with appearances.

The Other Him gave a creepy look that bordered on pity. Oh, you poor baby. Which was surreel. Was that what Hradie looked like when he was trying to look sympathetic? No wonder everybody seemed to want to punch him in the face.