Quotes About Expression

Whenever someone comes up to me and says, 'I'm having trouble shopping.' I tell them to pull out their 10 favorite, most-worn pieces, then build a wardrobe around them. Those staples are going to be different for everybody.

I think wardrobe is a really important part of making a movie and developing the character.

My culinary wardrobe is the same as my biking wardrobe, just no shoes.

Everybody wants to be a star right now, to be heard, to have a voice, so you have to give the confidence for people to have that ability - and give them the wardrobe to become a star.

Using clothes to transform was a huge part of my childhood. But also, I've been acting forever, and wardrobe changes the way you feel, so it totally indicates the character you're going to play.

My style is not trendy by any means; my inner artists loves to shine through in my wardrobe.

Even my basic, basic wardrobe is still pathetically colour coordinated. It just is. That is just me.

We want every woman to have something unique, a wardrobe she can really make her own.

Diversity definitely makes the best wardrobe - you want to look in and see a range so you can always dress for your mood.

I never set out to work on the concept of androgyny. For me, it was more about trying to find a wardrobe that would fundamentally appeal to both men and women: Trying to find the right shirt, the right jeans, the right trouser - but on different landscapes.

I always have an item in mind that I want to wear; then, the next day, I put it on, and I love the 20-minute rush of frantically tearing clothes out of my wardrobe to go with it. And I honestly feel that's the best way to do it; there's no method to my fashion madness so to speak.

My wardrobe is really colorful, and since hats are my favorite accessory, I have a big collection of them.

Wardrobe is - in films, I could say it's a good half of the acting. You get the right rags on, they'll talk for you.

When I'm dressing down, it's simple: I want a good cut, no logos, and usually quite dark colors. My wardrobe is pretty much black, gray, and navy, with a little bit of white.

I think it always helps when you build a character, and then, you actually step into that character's wardrobe, something else happens. Another angle of the character comes to life.

For me, as an actor, with any character I'm playing, wardrobe brings a whole other aspect. Once I have the clothing on, it helps the transformation.

I didn't want to do Chekhov or Shakespeare. So I switched my major from acting to costume design. Eventually, I got a job working as a wardrobe assistant for a theater company. I would dress the actors, fix their costumes, do the quick changes for them and all that stuff.

Normcore doesn't equal wearing the first pair of jeans and T-shirt from your wardrobe. Behind dressing easy, lies a precise selection.

I've always loved rummaging through my mum's wardrobe and finding classic pieces. I went through a phase where I rejected anything that was vaguely up-styled in any way and I just lived in a baggy jumper for a bit.

My wardrobe comprises of the world's top designers and is equally filled with shopping from roadside stalls and local shops because I believe 'if it looks good, it looks good!' full stop.

Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.

If I go play 'Modern Warfare,' I'll find a hundred different things I'd like done differently. And I don't have the discipline to not express my opinion.

When I played Candy Darling in 'I Shot Andy Warhol,' that was easy to play that part. They made me into a woman: I'm in heels; I'm waxed. I'm gonna find the femininity and lay on the bed and take the voice of an old movie star.

I have done only two portraits: one of the artist Francesco Clemente and another of Andy Warhol.