Quotes About Expression

I see artists bored by light-without-heat, irked at gigantic galleries' pushing out art-as-product, leaving behind the over determined for the undetermined, guided by interior voices and bringing us out of a long tunnel to new blueness.

I love the music of Lauryn Hill and Erykah Badu and more recently the music of Laura Marling. All these women share a strength and a wisdom in their voices and music that really makes me want to make music and sing.

In this great age of communication, there a lot of people you can't actually understand. I know everyone tweets, and twits and texts and all that, but actually we've all got voices, and it is awfully nice to hear them and if you can understand what people are saying.

I have so many different projects, I hear voices in my head - the characters talking all at once - and I have to write to make them stop.

I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices.

I have so many different voices and stories to tell.

I get off on hearing other people's voices. I like voices: they're my favourite things on records.

I like Adele, Mika, Natacha Atlas and a beautiful old record, 'An Evening with Belafonte/Mouskouri,' starring Harry Belafonte and Nana Mouskouri. What they have in common is they all have incredible voices. I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.

I do believe that there are auteurs, in the sense that there are filmmakers with very strong voices and their voices are communicated on to the screen without a lot of compromise.

'Two Voices,' from my album with Peter Schwalm, is an intact dream-poem. I awoke one night with an image of a piece of paper and all the words of the poem written on it, so I just blundered down to the kitchen table and 'copied it out.'

My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.

Adele's voice is incredible. Chet Baker also has one of my favorite voices of all time, and so does Joni Mitchell. And Frank Black. Oh, and Stevie Nicks.

When you're on your own, you have all the self-censorship that everybody has when they try and write. All the little voices that say, 'No, you can't write that, what will they think of that?'

It's very difficult for governments to dominate the Internet because it's so difficult to control. People want to be free. People want to hear multiple voices. They want to make their own decisions. And people who see things will report things.

I've been doing voices as long as I can remember. When I was little I could pick up on sounds, and then I discovered you could distort what you hear and make people laugh or disrupt a class.

It's an interesting and demanding art to do voices. I have been told so many times that I have a distinctive voice, but of course, I don't hear my own voice as others do, so I don't know.

I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.

There's always a host of voices you're inspired by. I love Don DeLillo, and I love Isaac Bashevis Singer, and I love Beckett, and I love Pinter. He's one of the funniest voices in English literature since Dickens.

There's nothing I love more in the world than layering voices.

Everybody who's ever influenced me, from a Richard Prior to a Whoopie Goldberg to, you know, any of the voices that have resonated with me as a performer since I was a kid, you know, you couldn't really say that their work didn't have some element of political commentary in it.

By giving unusual people an easy way to find one another, the Internet has also enabled them to pool rare talents, resources, and voices, then push their case into public consciousness. The response, in many cases, is a kind of hysteria.

Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot more of that.

My preferred style is to write in first person, so I always have to play around with possible narrator voices until I find something that works.

My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.