Quotes About Control

I am bipolar, and I am proud. And that is why I wanted to write a book. To shine a light on mental illness, to be vulnerable about the days I let it take control and paid dearly for it, and to tell anyone fighting a similar battle: You are not alone. You are not broken.

I personally have always hated dating. I was never vulnerable or insecure in any part of my life, but I would become that way with a guy because they have control, according to society, when it comes to dating.

Networking is extremely masculine. It's a vulnerable thing to admit to, but even I experience feeling super insecure around certain masculine meetings. So, we put women in control. Women will make the first move on Bumble Bizz as well.

The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.

Immigrant children are highly vulnerable. Their level of disadvantage and fragility has consistently grown due to factors outside their control.

I realize that I am typically vulnerable only when and where and how much it suits me. I can choose my writer words and even go back and edit.

The 'army camp' that coordinates the agencies of our brain is vulnerable, both in itself and from within. In effect, he who can know and master its functioning and psychology from outside can become twice its master.

Advances in technology - hugely beneficial though they are - render us vulnerable in new ways. For instance, our interconnected world depends on elaborate networks: electric power grids, air traffic control, international finance, just-in-time delivery, and so forth.

It is tempting to think of this form of insomnia, the inability to fall asleep, as a disease of agency and control: the inability to relinquish high self-reflexive consciousness for the vulnerable, ignorant regions of slumber in which we know not what we do.

If I feel vulnerable, I get angry.

Ballet is something for which you need so much control and composure. And there's an element to acting that is the complete opposite. You have to be able to completely let go and reveal everything about yourself. It's about being very vulnerable.

Everything about the left is perception, manipulation, and lies. Everything. Everything is 'Wag the Dog.' Everything is a structured deception.

Regardless of the gender of the highest wage earner, the balance of power in the relationship will suffer if the higher earner uses control of the purse strings as a system of reward and punishment. It will also suffer if the lower earner takes a chippy, haughty attitude to spending money they haven't actually generated themselves.

Women often come up not knowing how to make decisions. We get wishy-washy. We become great wage earners - breadwinners - but we don't know how to control empires.

You know, I've got experiences going back to the wage price controls in the Nixon administration where, in effect, we had what I think was a terrible mistake, in that case a Republican administration, where moved in and tried to control the wages, prices and profits of every enterprise in America. It was a huge mistake.

Republicans who controlled the government in the 1920s insisted that national prosperity depended on government protection of the rich, who they believed would plow their capital back into the economy to provide jobs and higher wages for workers.

I was one of the many horses pulling the wagon and couldn't escape left or right because of the will of the driver.

The aim of tai chi is not to strike first to gain dominance over an opponent, but to wait and hit at the right moment.

If monarchy is corrupting - and it is - wait till you see what overt empire does to us.

In the countryside, litter doesn't have a friend. It doesn't have anybody who's saying, 'Wait a minute, this is really starting to get out of control.'

The pitcher has the ball, and nothing happens until he lets go of it. So as the batter, I felt I had to fight for any bit of control I could get. I expected the umpire, the catcher, and the pitcher to wait on me. I wanted to get ready on my time.

As long as I am on the sets I am like a goddess, goody-goody and nice. If there is something that upsets me or irritates me, I don't show it there. I wait till I get home and direct it on my family.

As I write, I control my anxiety and anguish thanks to the invaluable aid of irony and humor. But every night I am subdued by an anxiety that knows no irony, and I must wait until the next day to rediscover the blend of anguish and humor that characterizes my writing and that generates my style.

I think, with age, you learn that it comes in bursts and you've got no control over it. I'm not one of those people who says, 'I've got to write a song every day.' I just store up ideas, and really I have to wait until it finds me; I know when I'm ready to write. It used to frustrate me, but it doesn't any more. It's just how it is.