Quotes about Emotional Resonance

I think every film is made better by having smart music supervision that's really in tune with the spirit of the visual content.

Jazz vision is a wordless conversation between musical notes and visual expressions.

Music is more than words. It's a visual experience, too, and people really feel my music because of the way I move and put on a show.

There's a lot of two-hander dialogue in 'True Detective,' and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the overall feeling.

I think songs and visuals are so evocative of each other.

Cinema is ultimately a work of art, it is all about sound and visuals.

The most effective instruments do have a vocal quality.

My mother was into church so she listens to gospel music. I like the way gospel is composed... the great vocalist chord and the way they make you feel.

Cyndi Lauper's 'Time After Time' was a perfect song. It was so beautiful and so heartfelt. Her vocals were so amazing. And, for me, that was a song I went to when I was feeling sad and wanted to feel even sadder.

It is the closest instrument to the human voice, and the things you can do on the cello... there are endless possibilities.

Music is the voice of the soul and can move mountains. People receive the message of the soul through the voice. It is a voice, the tone that moves something in people.

Musicians want to be the loud voice for so many quiet hearts.

The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice.

Photography is a small voice, at best, but sometimes one photograph, or a group of them, can lure our sense of awareness.

I always find that there is a real communication between voice and violin.

The human voice is the organ of the soul.

What is most important to me is that my narrator's voice is believable, and that, though it is clearly an absolute fiction, it has the emotional resonance of memoir.

After I started singing, I'd go to my dad's records I grew up with in his house listening to: Gordon Lightfoot, John Denver, the Carpenters, Bob Seger, Neil Diamond, voices that resonate with you, that you know who they are right away.

Voices have always been my way into a character. I usually approach the voice first.

A poem, necessarily, sits at a register that's different from our usual conversational voices. You have to listen more actively to get to the heart of what's being said, what you as a reader or listener are being asked to feel or notice.

The problem with wonks is that they can't deal with emotion and feeling, and they don't like stories. It means that they cannot connect at all with the feelings and imaginations of the voters.

I may be working in different languages, but the sentiments of audiences remain the same.

You can get somebody to dance and make them jump in the club, but your feet gonna get tired. So when you put it in somebody's heart, it stick with 'em. That's what I come with it. And I can make your feet dance, too. I think that's what separates me from a lot of artists.

I don't think I've ever gone home and not been able to shake it off. I like having my own life too much!