Quotes about Emotional Resonance

I feel that a heroine or a leading character is someone who stays back with you, and I would like to believe that all my characters have stayed with people.

I am trying to do films that stay with me for some time. 'Banaras' stays with me.

For a decade, Emma-Lee Moss has been steadily making weird, moody, melancholic music under the moniker 'Emmy the Great' that has been referred to as nue-folk, anti-folk, synthpop, and, most of all, literary.

Poetry is thoughts that breathe, and words that burn.

There's not a string attuned to mirthBut has its chord in melancholy.

I think that you've got to make something that pleases you and hope that other people feel the same way.

Tell me what you listen to, and I'll tell you who you are.

Happiness is elusive, for sure.But like love, and music, I believe in it because I can feel it.

Absorbing his words was like taking a drink of hot tea. They burned on the way down, but soothed my insides once they had time to cool off.

Tell me what you listen to and I'll tell you who you are." Paul

Director Lee Chang-dong's 1997 noir 'Green Fish.' I was attending middle school when I first watched the piece. And although I could not completely understand the film and where it was getting at, I still found it extremely powerful.

There's nothing quite as exciting or moving as the very finest literary non-fiction.

I like the songs that are fun, that aren't gonna change the world - I've some of those - but even something like, 'You Should Be Here,' that was my chance to say, 'Look, this is me, too. I'm just a normal person.'

Music is there to access those dark emotional corners that we don't normally get too close to.

Nostalgia can be extremely powerful in the right hands: think of the intense longing in the films Andrei Tarkovsky made after he left the U.S.S.R. They wring your soul.

It's nice to have been around long enough to be a part of people's lives. A lot of people who come to my show are real nostalgic for the '80s.

My goal in music is to create nostalgic moments.

I have a thing for major 7ths. They've got a very mournful, nostalgic quality to them.

I'm not interested in how well someone can sing. It's what you're singing that interests me.

People think that I'm not interested in doing Marathi films, but that's not true. Marathi cinema is very close to my heart.

Every note is a lifetime for itself.

I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically. I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.

Has anybody seen 'The Notebook' and not cried? I don't know, I don't know if that's the case. It sort of hangs around for a while.

In live action, sometimes a mood or a feeling can go on for quite a while. Animation is a lot more effort. There are a lot more notes.