Quotes from Yngwie Malmsteen

People who join my organization are usually very cool at first, but they become troublesome later.

I had my own label, Rising Force Records, and made records, but had them distributed to the chains, to the retailers, but the retailers are gone - there's no physical sales anymore - so I'm not gonna make the CDs and have 'em put into trucks to go nowhere.

A lot of people don't realize that guitar playing is very much like singing or playing any of the glissando-type instruments - you have to do it in tune.

When I was first getting into the guitar, I played it incessantly. I lived it, breathed it, ate it, and slept it. I was also extremely self-critical, so from early on, I made sure to develop good playing habits - I constantly strove to sound in tune and have a great tone, and to play cleanly and in time.

My band's motto is 'Yngwie or the highway.' Do you think Leonardo Da Vinci allowed someone who came later to add to his paintings? It's impossible. That's the whole issue. I'm not a typical rock n' roll guitarist nor a simple band member.

I want to say something very clearly. I understand that I'm a self-confident person who might come off with the wrong attitude sometimes, but I don't mean to. I just believe in certain things, and I know exactly what I want. I've always sacrificed things in order to become the best musician I could be.

I am convinced that there are few, if any, American people that could even start believing or understanding what living in a socialist country does to a person.

A lot of people probably get the idea that I'm this extremely calculated kind of guy, and in a lot of ways, I am. But when it comes to music or artistic expression, I'm very uncalculated and do things very spontaneous. If I didn't do that, I wouldn't want to do this anymore. I can't just play the same thing over and over; it would drive me crazy.

People - myself included - expect a certain standard from me. I always have to elaborate or improve on my playing. My success hasn't made me at all laid-back. That relentless drive is still there.

When I was 20, I didn't give a damn about song construction. I just wanted to make as much noise and play as fast and as loud as possible.

Every other guitar player was just copying other guitarists. From the time I was 13 up until 18, I practiced at least eight hours a day, every day. My health suffered for it - I was losing sleep and not eating properly.

Using double coil pickups kills a lot of the guitar tone - you lose the acoustic mechanics. With my single-coils driven through the Marshalls and overdrive, it sounds massive.

Steve Morse is a very good guitar player, but he's American, and he's using humbucker pickups. If you ask me, those two are not good.

I'm very selfish. I make music that I love because I only live once, and I'm an artist. I don't try to revolt against anybody, and I don't try to please anybody. I feel very strongly that I if love it, someone else will love it - not everybody, though.

I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.

I've been playing for aeons now, but way, way back, I remember Eddie Van Halen came out ,and I loved his playing. He was amazing. But then everyone started copying his guitars with Floyds, and I didn't.

I still love to go in the studio and write and all that.

A lot of people don't know this, but I started out as a blues-based player, and then, when I realized after playing 18 hours a day that there's more than five notes per scale, that's when my stuff became what it was. I started listening to violinists and flautists, and that's how my style evolved.

I remember when I was a kid, if you had your name on a piece of vinyl, man, you were, like, in the halls of Valhalla; all of sudden, you were hanging out with Odin and being at the table of the gods. You were the real deal; you weren't some guy struggling in a garage somewhere.

My fourth birthday, I was given a violin, and my fifth birthday, a guitar. I didn't start to play until I saw Hendrix on TV. They showed him setting his guitar on fire and burning it for the Monterey Pop Festival.

Fast is only cool if it's melodic and has substance.