Quotes from Rainer Maria Rilke

Ask no one to speak of you, not even contemptuously. And when time passes and you notice how your name is spreading around among people, don't take it more seriously than any of the other things you find on their lips. Think: your name has turned bad, and get rid of it. Take on another, any other, so that God can call you in the night. And conceal it from everyone.

Now we wake up with our memory and fix our gazes on that which was; whispering sweetness, which once coursed through us, sits silently beside us with loosened hair

It seems to me that the only way one can be helpful is to extend one's hand to someone else involuntarily, and without ever knowing how useful this will be.

Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further. The further one goes, the more private, the more personal, the more singular an experience becomes, and the thing one is making is, finally, the necessary, irrepressible, and as nearly as possible, the definitive utterance of this singularity.

O smile, going where? O upturned look: new, warm, receding surge of the heart--; alas, we are that surge. Does then the cosmic space we dissolve in taste of us? Do the angels reclaim only what is theirs, their own outstreamed existence, or sometimes, by accident, does a bit of us get mixed in? Are we blended in their features like the slight vagueness that complicates the looks of pregnant women? Unnoticed by them in their whirling back into themselves? (How could they notice?)

Depict your sorrows and desires, your passing thoughts and beliefs in some kind of beauty- depict all that with heartfelt, quiet, humble sincerity and use to express yourself the things that surround you,the images of your dreams and the objects of your memory. If your everyday life seems poor to you, do not accuse it; accuse yourself, tell yourself you are not poet enough to summon up its riches; since for the creator there is no poverty and no poor or unimportant place.

I would describe myself like a landscape I've studied at length, in detail; like a word I'm coming to understand; like a pitcher I pour from at mealtime; like my mother's face; like a ship that carried me when the waters raged.

So many are alive who don't seem to care. Casual, easy, they move in the world as though untouched.   But you take pleasure in the faces of those who know they thirst. You cherish those who grip you for survival.

But when I lean over the chasm of myself— it seems my God is dark and like a web: a hundred roots silently drinking. This is the ferment I grow out of. More I don't know, because my branches rest in deep silence, stirred only by the wind.

There is death in life, and it astonishes me that we pretend to ignore this: death, whose unforgiving presence we experience with each change we survive because we must learn to die slowly. We must learn to die: That is all of life.

I think of you often, dear, and with such concentrated wishes that it really must help you in some way.

O Stunden in der Kindheit, da hinter den Figuren mehr als nur Vergangnes war und vor uns nicht die Zukunft.

No feeling is final.

At first the solitude charmed me like a prelude, but so much music wounded me.

And many a day's hours were like that. As if someone fashioned my likeness somewhere in order to torment it slowly with needles. I felt each sharp prick of his playing, and it was: as if a rain fell on me in which all things change.

THE WAIT: It is life in slow motion, it's the heart in reverse, it's a hope-and-a-half: too much and too little at once. It's a train that suddenly stops with no station around, and we can hear the cricket, and, leaning out the carriage door, we vainly contemplate a wind we feel that stirs the blooming meadows, the meadows made imaginary by this stop.

How we squander our sorrows, gazing beyond them into the sad wastes of duration, to see if maybe they have a limit.

Just be sure that you observe carefully what wells up within you and place that above everything that you notice around you.

Nothing makes it more difficult to help than the intention of doing so.

Across the moment, aeons speak with aeons. More than we experienced has gone by.

To be loved means to be consumed. To love means to radiate with inexhaustible light. To be loved is to pass away, to love is to endure.

Think... of the world which you carry within yourself... and set it above everything that you notice about you. Your inmost happening is worth your whole love, that is what you must somehow work at, and not loose too much time and too much courage in explaining your attitude to people.

I confess that I consider life to be a thing of the most untouchable deliciousness, and that even the confluence of so many disasters and deprivations, the exposure of countless fates, everything that insurmountably increased for us over the past few years to become a still rising terror cannot distract me from the fullness and goodness of existence that is inclined toward us.

Who, if I cried, would hear me among the angelic orders? And even if one of them suddenly pressed me against his heart, I should fade in the strength of his stronger existence. For beauty's nothing but the beginning of terror we're still just able to bear.